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    <title>The Binaural Source - Binaural is...</title>
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    <description>Audio is usually binaural.</description>
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    <pubDate>Fri, 16 Jan 2009 15:35:36 GMT</pubDate>

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<item>
    <title>First Binaural Source Blog Entry: About Binaural</title>
    <link>http://binaural.com/serendipity/index.php?/archives/76-First-Binaural-Source-Blog-Entry-About-Binaural.html</link>
            <category>Binaural is...</category>
    
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    <author>nospam@example.com (Rich Lewandowski)</author>
    <content:encoded>
    &lt;br /&gt;
&lt;font size=&quot;4&quot;&gt;&lt;/font&gt;&lt;p&gt;&lt;font size=&quot;4&quot;&gt;See the overview from &lt;a href=&quot;http://binaural.com/indexoldbinhome.html&quot;&gt;t&lt;u&gt;he old home page (click here to view it)&lt;/u&gt;&lt;/a&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;4&quot;&gt;&lt;img style=&quot;width: 338px; height: 81px;&quot; alt=&quot;The Binaural Source&quot; src=&quot;http://binaural.com/New3Dtbs1.gif&quot; /&gt;&lt;img height=&quot;151&quot; width=&quot;344&quot; border=&quot;2&quot; align=&quot;bottom&quot; src=&quot;http://binaural.com/HomePageLogox2.jpg&quot; /&gt;&lt;/font&gt;&lt;/p&gt;&lt;p align=&quot;center&quot;&gt;&lt;font size=&quot;4&quot;&gt;&lt;b&gt;&lt;font size=&quot;+1&quot; color=&quot;#ff0000&quot;&gt;HEADPHONE BINAURAL:&lt;/font&gt;&lt;/b&gt;&lt;/font&gt;&lt;/p&gt;&lt;ul&gt;&lt;font size=&quot;4&quot;&gt;&lt;li&gt;&lt;b&gt;&lt;font size=&quot;+1&quot;&gt;&lt;/font&gt;&lt;/b&gt;&lt;b&gt;&lt;font size=&quot;+1&quot;&gt;provides virtual audio - all around you!&lt;/font&gt;&lt;/b&gt; &lt;/li&gt;&lt;li&gt;&lt;b&gt;&lt;font size=&quot;+1&quot;&gt;requires no special equipment - just your stereo headphones&lt;/font&gt;&lt;/b&gt; &lt;/li&gt;&lt;li&gt;&lt;b&gt;&lt;font size=&quot;+1&quot;&gt;you can experience it anywhere - in privacy or with someone&lt;/font&gt;&lt;/b&gt;&lt;/li&gt;&lt;li&gt;&lt;b&gt;&lt;font size=&quot;+1&quot;&gt;loudspeaker-compatible.. also gives you superb surround sound via surround decoder&lt;/font&gt;&lt;/b&gt;&lt;/li&gt;&lt;/font&gt;&lt;/ul&gt;&lt;div align=&quot;center&quot;&gt;&lt;font size=&quot;4&quot;&gt;&lt;font color=&quot;#990000&quot;&gt;&lt;b&gt;&lt;font size=&quot;3&quot;&gt;Catalogued CDs listed in the old system are temporarily unavailable.&lt;/font&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;font size=&quot;3&quot;&gt;We&#039;ll announce changes here.&lt;/font&gt;&lt;/b&gt;&lt;/font&gt;&lt;/font&gt;&lt;/div&gt;&lt;p /&gt;&lt;p /&gt;&lt;p align=&quot;center&quot;&gt;&lt;font size=&quot;4&quot;&gt;&lt;u&gt;&lt;font color=&quot;#990000&quot;&gt;&lt;font color=&quot;#3333ff&quot;&gt;&lt;/font&gt;&lt;font color=&quot;#3333ff&quot;&gt;&lt;a href=&quot;http://www.binaural.com/sb/binauralFB.html&quot;&gt;&lt;font size=&quot;3&quot;&gt;Click here to send feedback or ask questions using a popup form.&lt;/font&gt;&lt;/a&gt;&lt;/font&gt;&lt;/font&gt;&lt;/u&gt;&lt;/font&gt;&lt;/p&gt; 
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    <pubDate>Fri, 16 Jan 2009 10:35:00 -0500</pubDate>
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</item>
<item>
    <title>Manipulating Perceived Position of Sound</title>
    <link>http://binaural.com/serendipity/index.php?/archives/108-Manipulating-Perceived-Position-of-Sound.html</link>
            <category>Binaural is...</category>
    
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    <author>nospam@example.com (Rich Lewandowski)</author>
    <content:encoded>
    &lt;br /&gt;
&lt;h2 class=&quot;entry-title&quot;&gt;&lt;a class=&quot;entry-title-link&quot; target=&quot;_blank&quot; href=&quot;http://blog.makezine.com/archive/2008/09/manipulating_perceived_po.html?CMP=OTC-0D6B48984890&quot;&gt;Manipulating perceived position of sound&lt;img width=&quot;18&quot; height=&quot;18&quot; src=&quot;http://www.google.com/reader/ui/2412528845-go-to.gif&quot; class=&quot;entry-title-go-to&quot; /&gt;&lt;/a&gt;&lt;/h2&gt;&lt;div class=&quot;entry-author&quot;&gt;&lt;span class=&quot;entry-source-title-parent&quot;&gt;from &lt;a href=&quot;http://www.google.com/reader/view/feed/http%3A%2F%2Fwww.makezine.com%2Fblog%2Findex.xml&quot; class=&quot;entry-source-title&quot; target=&quot;_blank&quot;&gt;MAKE Magazine&lt;/a&gt;&lt;/span&gt; by &lt;span class=&quot;entry-author-name&quot;&gt;Marc de Vinck&lt;/span&gt;&lt;/div&gt;&lt;p&gt;&lt;span style=&quot;display: inline;&quot;&gt;&lt;img width=&quot;600&quot; height=&quot;453&quot; alt=&quot;2813563377_6ff3cb5826_o.jpg&quot; src=&quot;http://blog.makezine.com/2813563377_6ff3cb5826_o.jpg&quot; /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
This is a really interesting Arduino project that involves manipulating&lt;br /&gt;
stereo sound so it appears to move in a virtual 3-dimensional space.&lt;br /&gt;
There is a lot of interesting information in the &lt;b&gt;&lt;a target=&quot;_blank&quot; href=&quot;http://www.arduino.cc/cgi-bin/yabb2/YaBB.pl?num=1220198157&quot;&gt;forum&lt;/a&gt;&lt;/b&gt; and the code can be found &lt;b&gt;&lt;a target=&quot;_blank&quot; href=&quot;http://ban-sidhe.com/blog/?p=1549&quot;&gt;here&lt;/a&gt;&lt;/b&gt;.&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;blockquote&gt;The effect is so sharp, you can tell the difference between&lt;br /&gt;
center, ten degrees left of center and ten degrees right of center. I&lt;br /&gt;
was so surprised, I thought it might be due to wishful thinking, so I&lt;br /&gt;
turned off the stereo volume adjustments... even with just the delay&lt;br /&gt;
and no change in the volume between left and right, you can hear the&lt;br /&gt;
sound move from side to side. What&#039;s even weirder is that if you listen&lt;br /&gt;
to just one side, the sound stays the same.&lt;/blockquote&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;Read more about &lt;b&gt;&lt;a target=&quot;_blank&quot; href=&quot;http://www.arduino.cc/cgi-bin/yabb2/YaBB.pl?num=1220198157&quot;&gt;Manipulating perceived position of sound&lt;/a&gt;&lt;/b&gt;&lt;/p&gt;&lt;br /&gt;
 
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    <pubDate>Sat, 06 Sep 2008 10:02:18 -0400</pubDate>
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</item>
<item>
    <title>Are Brain Productions Binaural?</title>
    <link>http://binaural.com/serendipity/index.php?/archives/104-Are-Brain-Productions-Binaural.html</link>
            <category>Binaural is...</category>
    
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    <author>nospam@example.com (Rich Lewandowski)</author>
    <content:encoded>
    &lt;br /&gt;
&lt;font size=&quot;4&quot;&gt;&lt;/font&gt;&lt;p&gt;&lt;font size=&quot;4&quot;&gt;A previous entry focused on sounds produced by the ears as directed by the brain. The Radio Lab program, which itself appears to use binaural recordings (they would neither confirm or deny), featured as a link in this item, further details the phenomena of sounds produced by the brain.&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;4&quot;&gt;&lt;font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;4&quot;&gt;&lt;br /&gt;&lt;br /&gt;Whether you have auditory hallucinations, stuck tunes, or receive broadcasts from your internal radio station, this is familar conversational fodder. Are these things like the visuals from dreams - does experience deepen the color, intensity, localization, and resulting cues, or something else?&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;4&quot;&gt;&lt;font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;4&quot;&gt;&lt;br /&gt;&lt;br /&gt;Hope you enjoy the program:&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;4&quot;&gt;&lt;u&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://audio.wnyc.org/radiolab_podcast/radiolab_podcast042208.mp3&quot; title=&quot;Download MP3 podcast from Radiolab&quot;&gt;http://audio.wnyc.org/radiolab_podcast/radiolab_podcast042208.mp3&lt;/a&gt;&lt;/u&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;4&quot;&gt;&lt;font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt; 
    </content:encoded>

    <pubDate>Sun, 27 Apr 2008 20:41:38 -0400</pubDate>
    <guid isPermaLink="false">http://binaural.com/serendipity/index.php?/archives/104-guid.html</guid>
    
</item>
<item>
    <title>Hugo Zuccarelli and Sounds by the Ear Canal</title>
    <link>http://binaural.com/serendipity/index.php?/archives/102-Hugo-Zuccarelli-and-Sounds-by-the-Ear-Canal.html</link>
            <category>Binaural is...</category>
    
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    <author>nospam@example.com (Rich Lewandowski)</author>
    <content:encoded>
    &lt;br /&gt;
&lt;p&gt;&lt;font size=&quot;3&quot;&gt;&lt;!-- s9ymdb:50 --&gt;&lt;img width=&quot;426&quot; height=&quot;389&quot; src=&quot;http://binaural.com/serendipity/uploads/HugoZuccarelliVideoStill.png&quot; style=&quot;border: 0px none ; float: left; padding-left: 5px; padding-right: 5px;&quot; /&gt;&lt;br /&gt;&lt;br /&gt;Hugo Zuccarelli laments the negative reaction to his reporting of facts about the ear and also shows outstanding demonstrations of holophonically created spatial accoustics played through speakers in this 1992 video.&lt;/font&gt;&lt;/p&gt;&lt;p /&gt;&lt;p&gt;&lt;font size=&quot;3&quot;&gt;&lt;br /&gt;In Beyond the Zonules of Zinn, (from the book&lt;br /&gt;
jacket) &amp;quot;David Bainbridge combines on otherworldly journey through the&lt;br /&gt;
central nervous system with an accessible and entertaining account of&lt;br /&gt;
how the brain&#039;s anatomy has often mislead anatomists about its&lt;br /&gt;
function.&amp;quot;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;In Chapter 8, &amp;quot;The Little Fish Who Never Grew Up,&lt;br /&gt;
The origins of the ear&amp;quot;, a controversial contention of Hugo Zuccerelli,&lt;br /&gt;
that sound is produced by the ear, generally dismissed as &amp;quot;silly&amp;quot;, is&lt;br /&gt;
expanded in the excerpt.&lt;/font&gt;&lt;font size=&quot;3&quot;&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;3&quot;&gt;&lt;b&gt;&lt;u&gt;&lt;a href=&quot;http://video.aol.com/video-detail/unearthed-archives-hugo-zuccarelli-part-2/1967920814&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;
In Beyond the Zonules of Zinn, (from the book jacket) &quot; blur=&quot;function blur() {&lt;br /&gt;
    [native code]&lt;br /&gt;
}&quot; title=&quot;Hugo Zuccarelli Interview, Part 2&quot;&gt;http://video.aol.com/video-detail/unearthed-archives-hugo-zuccarelli-part-2/1967920814&lt;/a&gt;&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&amp;quot;The mammalian ear has evolved two even more useful innovations that improved its ability to serve as a microphone. The first is that it has become on active system - the brain not only receives sensory information from the cochlea, but it is also constantly modifying the cochleas&#039;s responses to sound. We now think that only a quarter of all the hair cells in your cochlea are sensory - the other three quarters are being constantly driven to vibrate by motor impulses from the brain. By wiggling selected regions of the cochlear membranes, these active hair cells can suppress spurious oscillations that reduce the ear&#039;s ability to discriminate tones - they reduce the &amp;quot;blur&amp;quot; in the sound signal. This allows us to determine pitch much more precisely, and possibly helps us distinguish among several sounds all heard at the same time. This active control of the cochlea is why Ramon y Cajal did not use the ear to show the direction that impulses pass through neurons - most of the nerve connection to the ear are motor, not sensory, with dendrites pointing to the brain and axons pointing to the sense organ. It also explains one of the weirdest phenomena in neurology: otoaccoustic emissions. Because most of the hair cells are forcing the cochlear membranes to vibrate, the cochlea actually produces sounds, and sometimes these sounds are audible to an outside listener. For example, pediatricians have reported tones being emitted from their patients&#039; ears. This is not the same thing as tinnitus, or &amp;quot;ringing in the ears&amp;quot;,in which you yourself hear the tones - the otoaccoustic emissions are genuine sounds coming out from normal ears.&amp;quot;&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;
 
    </content:encoded>

    <pubDate>Sat, 05 Apr 2008 13:59:02 -0400</pubDate>
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</item>
<item>
    <title>Sound Listening Enjoyment Through Better Readings</title>
    <link>http://binaural.com/serendipity/index.php?/archives/99-Sound-Listening-Enjoyment-Through-Better-Readings.html</link>
            <category>Binaural is...</category>
    
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    <author>nospam@example.com (Rich Lewandowski)</author>
    <content:encoded>
    &lt;br /&gt;
&lt;h2 align=&quot;left&quot;&gt;&lt;font size=&quot;4&quot; face=&quot;Verdana&quot; color=&quot;#008080&quot;&gt;&lt;strong&gt;Many chapters still to go for me, but so far it is an informative, equasion-free examination of the determinators of realistic listening. You can get to the text of the book at Mr. Glasgal&#039;s site:&lt;/strong&gt;&lt;/font&gt;&lt;/h2&gt;&lt;h2 align=&quot;left&quot;&gt;&lt;u&gt;&lt;a href=&quot;http://www.ambiophonics.org&quot;&gt;&lt;/a&gt;&lt;/u&gt;&lt;/h2&gt;&lt;h2 align=&quot;left&quot;&gt;&lt;u&gt;&lt;a href=&quot;http://www.ambiophonics.org&quot;&gt;Ambiophonics.org&lt;/a&gt;&lt;/u&gt;&lt;font size=&quot;4&quot; face=&quot;Verdana&quot; color=&quot;#008080&quot;&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/h2&gt;&lt;h2 align=&quot;left&quot; /&gt;&lt;h2 align=&quot;left&quot;&gt;&lt;font size=&quot;4&quot; face=&quot;Verdana&quot; color=&quot;#008080&quot;&gt;&lt;strong&gt;Ambiophonics,&lt;br /&gt;
    2nd Edition&lt;/strong&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;
    &lt;font face=&quot;Verdana&quot;&gt;&lt;small&gt;&lt;small&gt;&lt;b&gt;&lt;small&gt;Replacing Stereophonics to Achieve&lt;br /&gt;
    Concert-Hall Realism&lt;/small&gt;&lt;/b&gt;&lt;/small&gt;&lt;/small&gt;&lt;/font&gt;&lt;/h2&gt;&lt;p align=&quot;center&quot;&gt;&lt;br /&gt;
    &lt;font face=&quot;Arial Black&quot; color=&quot;#008080&quot;&gt;&lt;small&gt;By Ralph Glasgal&lt;/small&gt;&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
    &lt;p align=&quot;left&quot;&gt;&lt;font size=&quot;2&quot; face=&quot;Verdana&quot; color=&quot;#008080&quot;&gt;&lt;strong&gt;Chapter 3&lt;br /&gt;&lt;br /&gt;
    &lt;/strong&gt;&lt;/font&gt;&lt;font size=&quot;2&quot; face=&quot;Verdana&quot;&gt;&lt;b&gt;Understanding Stereophonic Sound Fields&lt;/b&gt;&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
    &lt;font size=&quot;2&quot; face=&quot;Verdana&quot;&gt;&lt;p align=&quot;left&quot;&gt;Human hearing using two ears is called&lt;br /&gt;
    binaural and was developed by evolution. Binaural sound is what most of us listen to all&lt;br /&gt;
    the time. Audiophiles sometimes think of binaural sound as a recording made with a dummy&lt;br /&gt;
    head and played back through earphones. This is a poor imitation of the real thing and is&lt;br /&gt;
    not what we will mean when we refer to the binaural hearing mechanism in this book.&lt;/p&gt;&lt;/font&gt;&lt;br /&gt;
 
    </content:encoded>

    <pubDate>Wed, 06 Feb 2008 13:28:11 -0500</pubDate>
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</item>
<item>
    <title>Recording Tips from a Master</title>
    <link>http://binaural.com/serendipity/index.php?/archives/98-Recording-Tips-from-a-Master.html</link>
            <category>Binaural is...</category>
    
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    <author>nospam@example.com (Rich Lewandowski)</author>
    <content:encoded>
    &lt;br /&gt;
&lt;font size=&quot;3&quot;&gt;&lt;tt&gt;&lt;tt&gt;Name of sender: Bernard Rousseau&lt;br /&gt;Email of sender: bprousseau has a hotmail address&lt;br /&gt;------------------------- COMMENTS -------------------------&lt;br /&gt;&lt;br /&gt;I know it has been explained with great detail in many papers, but maybe I can humbly add my 2-cents worth. From personal experience, the most important factors for true binaural recordings are:&lt;/tt&gt;&lt;/tt&gt;&lt;/font&gt;&lt;ol&gt;&lt;li&gt;&lt;font size=&quot;3&quot;&gt;&lt;tt&gt;&lt;tt&gt;The use of OMNI-Directional Condenser microphones&lt;/tt&gt;&lt;/tt&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size=&quot;3&quot;&gt;&lt;tt&gt;&lt;tt&gt;The spacing between the mikes (8 inches, more?) and most important,&lt;/tt&gt;&lt;/tt&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size=&quot;3&quot;&gt;&lt;tt&gt;&lt;tt&gt;Proper phasing of the L &amp;amp; R signals.&lt;/tt&gt;&lt;/tt&gt;&lt;/font&gt;&lt;/li&gt;&lt;/ol&gt;&lt;font size=&quot;3&quot;&gt;&lt;tt&gt;&lt;tt&gt;&lt;br /&gt;When I experimented with the Hafler &amp;quot;rear&amp;quot; channel system in the 1970s, I learned to reverse the phase of an encoded &amp;quot;rear&amp;quot; channel mixed with the L-R music channels. When the phasing is wrong, the binaural effect is destroyed. The panorama of acoustical musical instruments is gone, headphones or speakers (in the sweet spot). BR Dec-07&lt;br /&gt;&lt;br /&gt;Bernard Rousseau is a collector of country and bluegrass music, as well as a sound engineer who had a recording studio in Kingston, Tennessee, ca. 1960-85. Rousseau recorded live performances of musicians at bluegrass and country music festivals, fiddlers’ conventions, and music clubs and lounges. He welcomes your questions. You can find details of the archived collection at East Tennessee State University by following the link:&lt;br /&gt;&lt;br /&gt;&lt;u&gt;&lt;a href=&quot;http://www.etsu.edu/cass/Archives/Collections/afindaid/a469.htm&quot;&gt;http://www.etsu.edu/cass/Archives/Collections/afindaid/a469.htm&lt;/a&gt;&lt;/u&gt;&lt;/tt&gt;&lt;/tt&gt;&lt;/font&gt; 
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    <pubDate>Sat, 05 Jan 2008 14:15:17 -0500</pubDate>
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    <title>Holy Binaural Neurons! (Thanks to MIT!)</title>
    <link>http://binaural.com/serendipity/index.php?/archives/96-Holy-Binaural-Neurons!-Thanks-to-MIT!.html</link>
            <category>Binaural is...</category>
    
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    <author>nospam@example.com (Rich Lewandowski)</author>
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    &lt;br /&gt;
&lt;p&gt;&lt;font size=&quot;4&quot;&gt;&lt;br /&gt;
New Hearing Mechanism Discovered&lt;/font&gt;&lt;/p&gt;&lt;p /&gt;&lt;p&gt;&lt;font size=&quot;3&quot;&gt;Science Daily — MIT researchers have discovered a hearing mechanism that fundamentally changes the current understanding of inner ear function. This new mechanism could help explain the ear&#039;s remarkable ability to sense and discriminate sounds. Its discovery could eventually lead to improved systems for restoring hearing.&lt;br /&gt;
&lt;br /&gt;
MIT Professor Dennis M. Freeman, working with graduate student Roozbeh Ghaffari and research scientist Alexander J. Aranyosi, found that the tectorial membrane, a gelatinous structure inside the cochlea of the ear, is much more important to hearing than previously thought. It can selectively pick up and transmit energy to different parts of the cochlea via a kind of wave that is different from that commonly associated with hearing.&lt;/font&gt;&lt;/p&gt;&lt;p /&gt;&lt;p&gt;You decide what&#039;s important to read and follow up on:&lt;br /&gt;
&lt;br /&gt;
The introductory article from Science Daily - New Hearing Mechanism Discovered!&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;4&quot;&gt;&lt;b&gt;&lt;u&gt;&lt;a href=&quot;http://www.sciencedaily.com/releases/2007/10/071011140215.htm&quot;&gt;http://www.sciencedaily.com/releases&lt;/a&gt;&lt;/u&gt;&lt;/b&gt;&lt;/font&gt;&lt;/p&gt;&lt;p /&gt;&lt;p&gt;or...&lt;/p&gt;&lt;p /&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;the abstract of Binaural and cochlear disparities:&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;4&quot;&gt;&lt;u&gt;&lt;a href=&quot;http://www.pnas.org/cgi/content/abstract/103/34/12917?maxtoshow=&amp;HITS=10&amp;hits=10&amp;RESULTFORMAT=&amp;fulltext=cochlear&amp;searchid=1&amp;FIRSTINDEX=0&amp;resourcetype=HWCIT&quot;&gt;&lt;br /&gt;
&lt;br /&gt;
http://www.pnas.org/cgi/content/abstract/moretolink&lt;/a&gt;&lt;/u&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;4&quot;&gt;&lt;u&gt;&lt;a href=&quot;http://www.pnas.org/cgi/content/abstract/103/34/12917?maxtoshow=&amp;HITS=10&amp;hits=10&amp;RESULTFORMAT=&amp;fulltext=cochlear&amp;searchid=1&amp;FIRSTINDEX=0&amp;resourcetype=HWCIT&quot;&gt;&lt;/a&gt;&lt;/u&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;4&quot;&gt;&lt;u&gt;&lt;a href=&quot;http://www.pnas.org/cgi/content/abstract/103/34/12917?maxtoshow=&amp;HITS=10&amp;hits=10&amp;RESULTFORMAT=&amp;fulltext=cochlear&amp;searchid=1&amp;FIRSTINDEX=0&amp;resourcetype=HWCIT&quot;&gt;&lt;/a&gt;&lt;/u&gt;&lt;/font&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;fulltext:&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;4&quot;&gt;&lt;u&gt;&lt;a href=&quot;http://www.pnas.org/cgi/content/full/103/34/12917?maxtoshow=&amp;HITS=10&amp;hits=10&amp;RESULTFORMAT=&amp;fulltext=cochlear&amp;searchid=1&amp;FIRSTINDEX=0&amp;resourcetype=HWCIT &quot;&gt;&lt;br /&gt;
&lt;br /&gt;
http://www.pnas.org/cgi/content/full/moretolink&lt;/a&gt;&lt;/u&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;4&quot;&gt;&lt;u&gt;&lt;a href=&quot;http://www.pnas.org/cgi/content/full/103/34/12917?maxtoshow=&amp;HITS=10&amp;hits=10&amp;RESULTFORMAT=&amp;fulltext=cochlear&amp;searchid=1&amp;FIRSTINDEX=0&amp;resourcetype=HWCIT &quot;&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/a&gt;&lt;/u&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;PDF at 1.7 MB:&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;font size=&quot;4&quot;&gt;&lt;u&gt;&lt;a href=&quot;http://www.pnas.org/cgi/reprint/103/34/12917?maxtoshow=&amp;HITS=10&amp;hits=10&amp;RESULTFORMAT=&amp;fulltext=cochlear&amp;searchid=1&amp;FIRSTINDEX=0&amp;resourcetype=HWCIT&quot;&gt;http://www.pnas.org/cgi/reprint/moretolink&lt;/a&gt;&lt;/u&gt;&lt;/font&gt;&lt;/p&gt; 
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    <pubDate>Fri, 12 Oct 2007 19:19:13 -0400</pubDate>
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    <title>Dummy Head Recording or Playback Software Tuning?</title>
    <link>http://binaural.com/serendipity/index.php?/archives/92-Dummy-Head-Recording-or-Playback-Software-Tuning.html</link>
            <category>Binaural is...</category>
    
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    <author>nospam@example.com (Rich Lewandowski)</author>
    <content:encoded>
    &lt;br /&gt;
&lt;p&gt;&lt;font size=&quot;3&quot;&gt;Headphone listening is expanding. The best recording techniques vary as do the results. Playback results can be enhanced by software control. The &lt;/font&gt;&lt;font size=&quot;3&quot;&gt;&lt;u&gt;&lt;font size=&quot;4&quot;&gt;&lt;a href=&quot;http://www.tinnitus.vcu.edu/Pages/Human%20Skull%20Response.PDF&quot;&gt;PDF&lt;/a&gt;&lt;/font&gt;&lt;/u&gt; or &lt;/font&gt;&lt;font size=&quot;3&quot;&gt;&lt;font size=&quot;4&quot;&gt;&lt;u&gt;&lt;a href=&quot;http://64.233.167.104/search?q=cache:l52e_jv6zcQJ:www.tinnitus.vcu.edu/Pages/Human%2520Skull%2520Response.PDF+skull+acoustics&amp;hl=en&amp;ct=clnk&amp;cd=1&amp;gl=us&quot;&gt;HTML&lt;/a&gt;&lt;/u&gt;&lt;/font&gt; versions of this paper,&lt;/font&gt;&lt;/p&gt;&lt;p /&gt;&lt;p&gt;&lt;a href=&quot;http://www.tinnitus.vcu.edu/Pages/Human%20Skull%20Response.PDF&quot;&gt;&lt;font size=&quot;5&quot;&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Response of Human Skull to Bone Conducted Sound in the Audiometric to Ultrasonic Range&lt;/u&gt;&lt;/font&gt;&lt;/a&gt;&lt;/p&gt;&lt;p /&gt;&lt;p&gt;&lt;font size=&quot;3&quot;&gt;&lt;br /&gt;&lt;br /&gt;may help your own mushy part see what is ahead.&lt;/font&gt;&lt;a href=&quot;http://www.tinnitus.vcu.edu/Pages/Human%20Skull%20Response.PDF&quot;&gt;&lt;font size=&quot;5&quot;&gt;&lt;/font&gt;&lt;/a&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;
 
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    <pubDate>Sun, 24 Jun 2007 09:01:35 -0400</pubDate>
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    <title>Robert Schulein Binaural Tech Wizard in Michigan Feb. 8</title>
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    <author>nospam@example.com (Steve Eberbach)</author>
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    &lt;br /&gt;
&lt;div align=&quot;right&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;pre&gt;&lt;font size=&quot;3&quot; face=&quot;arial,helvetica,sans-serif&quot;&gt;AUDIO ENGINEERING SOCIETY&lt;br /&gt;Detroit Section - Meeting&lt;br /&gt;WHEN: Thursday, February 8th&lt;br /&gt;TOPIC: Binaural Recording: 1932 - 2007 Creating Realistic Sound Fields Using Only Two Audio Channels&lt;br /&gt;SPEAKER: Robert B. Schulein RSS Consultants Schaumburg, IL&lt;br /&gt;TIME: Meeting starts at 7pm&lt;/font&gt;&lt;/pre&gt;&lt;pre&gt;&lt;font size=&quot;3&quot; face=&quot;arial,helvetica,sans-serif&quot;&gt;For Details, Go to         :&lt;a href=&quot;http://www.provide.net/~djcarlst/aes_next.htm&quot;&gt;http://www.provide.net/~djcarlst/aes_next.htm&lt;/a&gt;&lt;/font&gt;&lt;/pre&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;pre&gt;&lt;font size=&quot;3&quot; face=&quot;arial,helvetica,sans-serif&quot;&gt;&lt;br /&gt;LOCATION: Alpine Electronics of America, inc 27101 Hills Tech Court Farmington Hills, Michigan&lt;br /&gt;PRE-MEETING DINNER: Ruby Tuesday, on west side of Haggerty just north of 12 Mile, Farmington Hills, Michigan. From 5:30 pm.&lt;br /&gt;OPEN TO ALL INTERESTED PARTIES!  Non-AES-Members Welcome!&lt;/font&gt;&lt;/pre&gt;&lt;pre /&gt;&lt;/div&gt;&lt;pre&gt;&lt;div align=&quot;left&quot;&gt;&lt;pre&gt;&lt;a href=&quot;http://www.cansonsound.com/serendipity/audio/SchuleinAES.mp3&quot;&gt;&lt;font size=&quot;4&quot;&gt;&lt;u&gt;Audio of presentation (58MB) binaural, mp3&lt;/u&gt;&lt;/font&gt;&lt;/a&gt;.&lt;/pre&gt;&lt;pre&gt;&lt;font size=&quot;4&quot;&gt;Visual portions of presentation - &lt;u&gt;&lt;a href=&quot;http://www.cansonsound.com/serendipity/audio/RBS AES Detroit 070208 1-3.pdf&quot;&gt;part 1&lt;/a&gt;&lt;/u&gt;(PDF), &lt;u&gt;&lt;a href=&quot;http://www.cansonsound.com/serendipity/audio/RBS AES Detroit 070208 2-3.pdf&quot;&gt;part 2&lt;/a&gt;&lt;/u&gt;(PDF), &lt;u&gt;&lt;a href=&quot;http://www.cansonsound.com/serendipity/audio/RBS AES Detroit 070208 3-3.pdf&quot;&gt;part 3&lt;/a&gt;&lt;/u&gt;(PDF)&lt;/font&gt;&lt;br /&gt;&lt;tt&gt;&lt;tt /&gt;&lt;/tt&gt;&lt;/pre&gt;&lt;/div&gt;&lt;/pre&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;br /&gt;
&lt;/div&gt; 
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    <pubDate>Sun, 28 Jan 2007 15:37:39 -0500</pubDate>
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    <title>Software Converts Stereo to Binaural for Headphones</title>
    <link>http://binaural.com/serendipity/index.php?/archives/73-Software-Converts-Stereo-to-Binaural-for-Headphones.html</link>
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    <author>nospam@example.com (Rich Lewandowski)</author>
    <content:encoded>
    &lt;br /&gt;
&lt;p&gt;The source is SourceForge, the most trusted name in Open Source Software, so you know it is safe. The reference page contains a detailed explanation of the conversion process that is worthwhile on its own. Both lines below point to the exact same URL.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;&lt;font color=&quot;#3333ff&quot;&gt;&lt;a href=&quot;http://bs2b.sourceforge.net/&quot;&gt;&lt;big&gt;&lt;big&gt;&lt;span style=&quot;font-weight: bold;&quot;&gt;Bauer stereophonic-to-binaural DSP&lt;/span&gt;&lt;/big&gt;&lt;/big&gt;&lt;/a&gt;&lt;/font&gt;&lt;/u&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;&lt;font color=&quot;#3333ff&quot;&gt;&lt;a href=&quot;http://bs2b.sourceforge.net/&quot;&gt;&lt;font size=&quot;3&quot;&gt;http://bs2b.sourceforge.net/&lt;/font&gt;&lt;/a&gt;&lt;/font&gt;&lt;/u&gt;&lt;big&gt;&lt;big&gt;&lt;span style=&quot;font-weight: bold;&quot;&gt;&lt;/span&gt;&lt;/big&gt;&lt;/big&gt;&lt;/p&gt;&lt;br /&gt;
&lt;br /&gt; 
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    <pubDate>Fri, 17 Nov 2006 07:44:00 -0500</pubDate>
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    <title>Playing With Hearing - Bigger, Better Pinnae</title>
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    <author>nospam@example.com (Rich Lewandowski)</author>
    <content:encoded>
    &lt;br /&gt;
&lt;font size=&quot;3&quot;&gt;&lt;p&gt;This is about temporary hearing/listening testing and evaluation. Use the pictures and text as a guide to explore your perception and sound imaging system.&lt;br /&gt;&lt;br /&gt;&lt;img width=&quot;405&quot; height=&quot;107&quot; src=&quot;http://binaural.com/serendipity/uploads/bigpinnae2.PNG&quot; style=&quot;border: 0px none ; padding-left: 5px; padding-right: 5px;&quot; /&gt;&lt;/p&gt;&lt;p&gt;&amp;quot;I use the hands-cupped-round-pinnae to demonstrate degrees of externalisation for my students. Cupping them facing forwards makes one&#039;s own voice &#039;in head&#039; and cupping them facing backwards makes one&#039;s own voice &#039;very externalised&#039;. One of each pans the source direction towards the forward-facing cupped hand.&amp;quot;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&amp;quot;Binaural afficianados can easily &amp;quot;learn&amp;quot; a standardized head and pinnae. Just for fun, try cupping your hands over your ears to create outrageously large pinnae, keep them that way for around two minutes, listen carefully, then let go back to normal. Tell us what you heard. I, for one, still can hear directionally quite accurately if I use my eyes to calibrate my audible impressions for a short while.&amp;quot;&lt;/p&gt;&lt;/font&gt;&lt;br /&gt;
 
    </content:encoded>

    <pubDate>Thu, 16 Nov 2006 07:44:00 -0500</pubDate>
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    <title>Hearing is Believing - Huggins Pitch</title>
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    <author>nospam@example.com (Rich Lewandowski)</author>
    <content:encoded>
    &lt;br /&gt;
&lt;p&gt;Huggins Pitch depends upon sound entering from both ears. You don&#039;t perceive i&lt;img width=&quot;299&quot; height=&quot;70&quot; style=&quot;border: 0px none ; float: right; padding-left: 5px; padding-right: 5px;&quot; src=&quot;http://binaural.com/serendipity/uploads/huggins.PNG&quot; /&gt;t if you listen monaurally.&lt;/p&gt;&lt;br /&gt;
&lt;p&gt;&lt;br /&gt;&lt;br /&gt;Here is the original link:&lt;/p&gt;&lt;p&gt;&lt;font color=&quot;#3333ff&quot;&gt;&lt;u&gt;&lt;font size=&quot;3&quot;&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.parmly.luc.edu/parmly/huggins.html&quot;&gt;http://www.parmly.luc.edu/parmly/huggins.html&lt;/a&gt;&lt;/font&gt;&lt;/u&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;br /&gt;A more focused explanation:&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;3&quot;&gt;&lt;u&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.s3.kth.se/~molin/Huggins_html/huggins.html&quot;&gt;&lt;font color=&quot;#3333ff&quot;&gt;http://www.s3.kt&lt;/font&gt;&lt;/a&gt;&lt;/u&gt;&lt;/font&gt;&lt;font size=&quot;3&quot;&gt;&lt;u&gt;&lt;a href=&quot;http://www.s3.kth.se/~molin/Huggins_html/huggins.html&quot;&gt;&lt;font color=&quot;#3333ff&quot;&gt;h.se/~molin/Huggins_html/huggins.html&lt;/font&gt;&lt;/a&gt;&lt;/u&gt;&lt;/font&gt;&lt;/p&gt;&lt;p /&gt;&lt;p&gt;&lt;br /&gt;&lt;br /&gt;A detailed pdf on the subject:&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;3&quot;&gt;&lt;u&gt;&lt;font color=&quot;#3333ff&quot;&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.s3.kth.se/~molin/Huggins_html/huggins.pdf&quot;&gt;http://www.s3.kth.se/~molin/Hu&lt;/a&gt;&lt;/font&gt;&lt;/u&gt;&lt;/font&gt;&lt;font size=&quot;3&quot;&gt;&lt;u&gt;&lt;font color=&quot;#3333ff&quot;&gt;&lt;a href=&quot;http://www.s3.kth.se/~molin/Huggins_html/huggins.pdf&quot;&gt;ggins_html/huggins.pdf&lt;/a&gt;&lt;/font&gt;&lt;/u&gt;&lt;/font&gt;&lt;font color=&quot;#3333ff&quot;&gt;&lt;u&gt;&lt;font size=&quot;3&quot;&gt;&lt;a href=&quot;http://www.parmly.luc.edu/parmly/huggins.html&quot;&gt;&lt;/a&gt;&lt;/font&gt;&lt;/u&gt;&lt;/font&gt;&lt;/p&gt;&lt;p /&gt; 
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    <pubDate>Mon, 13 Nov 2006 09:57:40 -0500</pubDate>
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    <title>Tutorial: An Introduction to Binaural Technology</title>
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    <author>nospam@example.com (Rich Lewandowski)</author>
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    &lt;br /&gt;
&lt;p&gt;This source, more like an online book than a tutorial, focuses on human-computer interaction, but contains an interesting section on binaural technology.&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;3&quot;&gt;&lt;br /&gt;&lt;br /&gt;Go to the section on binaural technology:&lt;br /&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;u&gt;&lt;font size=&quot;3&quot; color=&quot;#3333ff&quot;&gt;&lt;a href=&quot;http://www.ai.rug.nl/~lambert/projects/miami/taxonomy/node108.html#SECTION00800000000000000000&quot;&gt;http://www.ai.rug.nl/~lambert/projects/miami/&lt;/a&gt;&lt;/font&gt;&lt;/u&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;br /&gt;The table of contents:&lt;/p&gt;&lt;p&gt;&lt;u&gt;&lt;font color=&quot;#3333ff&quot;&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.ai.rug.nl/~lambert/projects/miami/taxonomy/node1.html&quot;&gt;http://www.ai.rug.nl/~lambert/projects/miami/taxonomy/node1.html&lt;/a&gt;&lt;/font&gt;&lt;/u&gt;&lt;a href=&quot;http://www.ai.rug.nl/~lambert/projects/miami/taxonomy/node108.html#SECTION00800000000000000000&quot;&gt;&lt;/a&gt;&lt;/p&gt;&lt;br /&gt;
 
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    <pubDate>Fri, 10 Nov 2006 07:44:00 -0500</pubDate>
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    <title>Binaural Recording - What Goes Into Kid's Ears</title>
    <link>http://binaural.com/serendipity/index.php?/archives/64-Binaural-Recording-What-Goes-Into-Kids-Ears.html</link>
            <category>Binaural is...</category>
    
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    <author>nospam@example.com (Rich Lewandowski)</author>
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    &lt;p&gt;&lt;font size=&quot;2&quot;&gt;A &amp;quot;kid&amp;quot; encyclopedia, this definition of binaural recording may assist your learning.&lt;br /&gt;&lt;br /&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;3&quot; color=&quot;#3333ff&quot;&gt;&lt;u&gt;&lt;a href=&quot;http://encyclopedia.kids.net.au/page/bi/Binaural_recording&quot;&gt;http://encyclopedia.kids.net.au/page/bi/Binaural_recording&lt;/a&gt;&lt;/u&gt;&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
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    <pubDate>Wed, 08 Nov 2006 08:56:11 -0500</pubDate>
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    <title>Tutorial: The Psychoacoustics of Multichannel Audio</title>
    <link>http://binaural.com/serendipity/index.php?/archives/62-Tutorial-The-Psychoacoustics-of-Multichannel-Audio.html</link>
            <category>Binaural is...</category>
    
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    <author>nospam@example.com (Rich Lewandowski)</author>
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    This is a tutorial paper giving an introduction to the perception of multichannel sound reproduction. The important underlying psychoacoustic phenomena are reviewed – starting with the behaviour of the auditory periphery and moving on through binaural perception, central binaural phenomena and cognition. &lt;br /&gt;&lt;br /&gt;The author highlights the way the perception of a recording can be changed according to the number of  replay channels used. The paper opens the question of relating perceptual and cognitive responses to directional sound or to sound fields.&lt;p /&gt;&lt;p /&gt;&lt;p&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color=&quot;#3333ff&quot;&gt;&lt;a href=&quot;http://www.meridian.co.uk/ara/multips3.pdf&quot;&gt;&lt;u&gt;&lt;font size=&quot;3&quot;&gt;http://www.meridian.co.uk/ara/multips3.pdf&lt;/font&gt;&lt;/u&gt;&lt;/a&gt;&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;
 
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    <pubDate>Mon, 06 Nov 2006 08:30:34 -0500</pubDate>
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